There is a kind of ‘show trial’ logic here - the spectacle is not the confession but the extraction of a confession. This is the real object of interest or rather enjoyment. This confession is extracted under duress but cannot be seen to be obviously (eg physically) forced. It is not a sign of external coercion but of subjective breakdown. .
The spectacle requires precisely that the audience is aware of the ‘untruth’ of the confession - the speaker has had to assume words that are not his/ hers in an attempt to save themselves. This is their humiliation. It's not that she has coughed up her soul, but that she has been made to perform the idiotic ritual of so doing. That it is performed is enough – the unforgivable thing would be to refuse to appear on stage. At the same time what this ritual (which passes under the pretext of a judicial process precisely visible qua pretext) celebrates is - as semblance - the power of an apparatus able to produce this abjection.
This little ritual, needless to say, isn't confined to today's NOTW.
(modified 24/1)
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